I feel like the most important thing for creating the right texture is to have my lines going in approximately the right direction and to have them either straight or curved, depending on what’s in my reference photo. I can be off the number of strokes in a given place and I can even be off with the length and width a little. If I have the direction and curve right, though, the animal I that ends up in my piece might not even look like the animal in my reference photo at all.
While I’ve been working on my current painting of a multicolor heron, I haven’t even been thinking about what texture I want the feathers to be. I’ve literally just been thinking about the direction they go. If I do that, the texture takes care of itself.
Sometimes, I happen to pause and take a look at a mass of hair or feathers and see that they’ve come out with almost the exact feel I wanted them to have, without me consciously trying for that feel. I love when that happens.
An example I can think of the hair on this portrait.
I just painted the shapes I saw in my reference photo and keeping my strokes going in the right direction. Before I knew it, I had the volume I was looking for.
As you can see from the examples I've given, this principal applies across mediums.
Painter of portraits and wildlife