I’m experimenting with my French ultramarine from Winsor & Newton. I was a bit alarmed by how dark it looked coming out of the tube. I knew I would have to wet my paper to lighten it. As you can see, thanks to this water and the water in my brush, my blue came out nice and pale. I made sure to mix some orange with the blue too.
I'm using a mix of cool blue-greens and warm yellow-greens for the grass, buses and trees, adding more yellow or blue to the same mixture that was on my pallet, depending on what I needed. I painted the palm trees with a layer of very light yellow green and later when that was dry, I painted my darker color, letting the original layer show where it needed to. Where I left the yellow green showing is of course where the sun is hitting the trees.
I’m concerned with working on creating as much contrast between the shadowy parts of the bushes and trees and the parts where the light is hitting. To achieve this, I’ve been mixing red into green to darken and mute it and applying layer after layer of this onto the parts of my trees and bushes that are in shadow.
I’m using this same mixture for my blades of grass, which I'm making a warmer color overall because it's closer to the viewer. By making the buses and trees duller and darker, I'm pushing them further back.
Painter of portraits and wildlife