I started by putting my sketch on my paper using tracing and transfer paper.
I wanted her skin to have a slight pinkish tone to it. I thought I'd just mix red and green for that, but I ended up having to mix some yellow in to. The red and green I was mixing ended up getting too purple. Anyway, I painted the skin and hair, which is a combination of yellow and purple, using wet on wet for the first layers.
Here I've added some darker tones to her hair. I was careful to place them in the right spots because that's what's eventually going to give her hair the texture I want it to have. I also used some of my flesh mixture, with just a little less water in it and made some shadows along her arms.
I mixed some burnt sienna into my color for her hair and painted some more shapes for texture.
I've taken a break from painting the woman herself, to work on the background here. I started with a wash of light yellow green and went over that with some shapes using the same color, but with less water in it.
Here I've added some darker shades to the background and painted the blue in the woman's eyes.
I decided I wanted her top to be an ivory color. I went about this by mixing some yellow into the color I'd mixed for her hair and, using wet on wet, I painted this all over her top, then dabbed it with a tissue so it would be as light as possible. I achieved the folds in the top with a combination of masking fluid to keep certain areas light, a medium shade over the entire top and a dark shade painted in thin lines under the lightest shade.
That's it for part one of this post. In part two, I'll be focusing on the bed itself and the flowers on it.
Painter of portraits and wildlife