I had been looking at the grass for a while and feeling overwhelmed by all the detail. I told myself I would just find one aspect of each section to focus on. These were the slightly lighter green marks on the grass across the street and the tiny yellowish blades in the grass on the opposite side of the sidewalk from the goose.
While I was working on those sections, I only allowed myself to focus on these things. This made the process far less daunting. My brain doesn't get as tired because it's not trying to figure out half a dozen things at once. Later I can look for another type of detail to add, or add more of this one.
I made my strokes somewhat follow the reference photo, although, since there is a lot of detail close together, I didn't put pressure on myself to copy it exactly. To paint the yellowish blades of grass, I used my smallest filbert brush and just put paint on the tip. This process didn’t take long and after doing it, the grass was coming to life.
The goose’s body has dark gray patterns on his wing. I was careful to follow the pattern in my reference photo as closely as possible while painting these.
Painter of portraits and wildlife