I'm working on another 11x14 acrylic on Belgian Linen,which I'm titling "Monkey Eating Leaf" for now. I started with an underpainting for my background.
At this point, I've been glazing gray blue made by mixing transparent mixing white and ivory black with ultramarine blue over the rocks on the right hand side. I then added quinacridone red to this mixture to make it purple and used it on the rock on the far left. Tonight, I mixed gray blue and white and titanium white and mars black with violet and, using a small round brush, painted little bits of these colors over the sheer blue and purple. After putting down my gray violet color, I realized it was too strong, so I mixed transparent mixing white and ivory black and glazed that over it to tone it down. I tried to use my gray blue straight out of the tube, but saw that it was way too dark for some areas and decided to mix titanium white into it
Tonight I mixed a transparent purple, similarly to how I described above and glazed it over the upside down triangle at the top. I mixed transparent grayish brown using transparent burnt umber and glazed that right under where the purple was. I glazed ivory black over that to make it even darker. I mixed transparent gray blue the same way I did last time and, using a small round brush, painted little bits of that over where I'd painted the purple. Using that same brush, I repainted the titanium white streaks that were lost when I glazed the purple.
I added more sheer grayish white and purple to different areas of the painting.
In the lower right hand corner, I used prussian blue to make a sheer grayish blue.
I'd previously used this color to make little blue marks in the dark brown at the top of the painting.
I mixed a transparent pink for the area around the white of the rock on the left hand side.
Finally, I put titanium white and transparent mixing white patches on the blue at the bottom.
I added more transparent blue and purple here and some transparent gray to the gray spot where the ground meets the rock.
Last night, in addition to adding yet more transparent blue and purple to the painting, I went over the lightest parts of the floor with titanium white. I rimmed the dark shadowy area on the far right with transparent pink, layered over with green made by mixing hansa yellow light and ultramarine blue, to tone it down. In the aforementioned dark patch, I've started to put bits of pale blue, made by mixing a touch of ultramarine blue into titanium white.
Here's my drawing of the monkey transferred onto my canvas.
Here's my underpainting for the monkey done.
Tonight, I started to add color to the monkey. I used grayish shades of blue and brown using a large filbert brush. Using a small round brush, I painted small lines of grayish blue made by mixing titanium white, ivory black and ultramarine blue in where I'd put the the transparent gray-blue.
To paint his left eye, I first painted pale gray from the lid to the first crease. Then I glazed hansa yellow light over this part accept for a liner part at the outer corner. Using a liner brush, I painted thin lines of quinacridone red along his pupil and along the first rim. I painted a dot of titanium white on his inner corner and went over most of that with the hansa yellow light. Finally, I filled in the space between his pupil and that dot with transparent burnt sienna. I think I'm going to bring the dark gray at the inner corner in a little further.
I've added a lot of titanium white and transparent mixing white strokes with a liner brush and I think it's made a big difference.
Tonight, I used the color I described in my last post to fill in the leaf, doing a glaze. I mixed some more of every color I'd used to mix it, except white, and painted the ridge in the middle.
Tonight, I went over the monkey's torso with Mars black to make the color more uniform and then glazed ultramarine blue mixed with ivory black over it to give it some depth.
Finished! To paint the leaves, I mixed equal parts ultramarine blue and hansa yellow to make a transparent green and glazed that all over most of the leaves. I adjusted this with either ivory black or transparent mixing white as needed. I also used touches of cadmium yellow, gray made by mixing titanium white and mars black, and grayish brown made by mixing burnt umber into those colors in various parts of the leaves and branches. For most of the branches, I glazed a mixture of transparent mixing white and transparent burnt umber over them, adding more burnt umber to darken the color for shading.
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Painter of portraits and wildlife